Alma is a girl who must flee her country. After a long journey, she arrives at an unknown place, where everyone is apparently happy, but they don't want to share anything with her.

With ingenuity, she will transform the individualism of an entire village into teamwork and teach a lesson for life to all those who had initially closed the door on her.

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A 21st century look at the great classic of Catalan theatre.

Pablo Ley turns Àngel Guimerà’s classic play into a detective story and an extraordinary thriller about the class struggle.

Without losing sight of the origins or changing the essence of this universal text, Pablo Ley’s dramaturgy sets Terra baixa in the 20th century and introduces two new characters: a journalist and a police inspector, Vinagret, who will be responsible for investigating a crime in which a worker has murdered his employer. Manelic has killed Sebastià to free Marta (and himself).

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A powerful landowner tries to seduce Pamela, a fifteen-year-old maid. The girl rejects her predator master’s constant advances but, finally, he kidnaps and rapes her. Only her words will remain to express her outrage and despair. Words that will become a bold act, as questioning the master means questioning power. A personal take on Pamela, Samuel Richardson's controversial novel that explores the messy and often violent nature of desire.

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We've all heard of Shakespeare's Othello, but in what new ways can this Shakespearean story be told?

Alba Sarraute & Les Ofèlies use the circus, acrobatics, music and the body to create a set of images full of poetry and tell Othello’s story from Desdemona’s point of view.

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Emma Bovary lives a routine and unsatisfying life alongside her husband. Her boredom squeezes her as tight as her corsets and she will soon be looking for more attention, lovers and new stimuli to fill the existential void. Emma struggles to meet the expectations ‒ her own and others’ ‒ of a society that expects her to be perfect, but she continues to fight for her last wish, to feel complete. A story marked by love, desire, adultery and death.

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Pack Trilogia sobre la guitarra

3 espectacles per 60 € (30% de descompte)
Inclou una entrada per a cada espectacle: Inicio (Uno), Al fondo riela (Lo otro del Uno), Vuelta a Uno
Compra aquí el teu pack

Malaga-born bailaora Rocío Molina presents an exploration of the guitar and its relationship with flamenco. A trilogy that travels to the origins of flamenco to rebuild it.

The triad begins with Inicio (Uno), which revolves around the exclusive guitar playing of the master Riqueni; it continues with Al fondo riela (Lo Otro del Uno), where Yerai Cortés and Eduardo Trassierra enter into an exploratory dialogue on the polyphonic possibilities of the instrument, incorporating the contrapuntal, harmonic and rhythmic resources that the duet permits; and culminates with Vuelta a Uno, with a body-to-body dialogue with the guitar of Yerai Cortés.

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Pack Trilogia sobre la guitarra

3 espectacles per 60 € (30% de descompte)
Inclou una entrada per a cada espectacle: Inicio (Uno), Al fondo riela (Lo otro del Uno), Vuelta a Uno
Compra aquí el teu pack

Malaga-born bailaora Rocío Molina presents an exploration of the guitar and its relationship with flamenco. A trilogy that travels to the origins of flamenco to rebuild it.

The triad begins with Inicio (Uno), which revolves around the exclusive guitar playing of the master Riqueni; it continues with Al fondo riela (Lo Otro del Uno), where Yerai Cortés and Eduardo Trassierra enter into an exploratory dialogue on the polyphonic possibilities of the instrument, incorporating the contrapuntal, harmonic and rhythmic resources that the duet permits; and culminates with Vuelta a Uno, with a body-to-body dialogue with the guitar of Yerai Cortés.

More information

Pack Trilogia sobre la guitarra

3 espectacles per 60 € (30% de descompte)
Inclou una entrada per a cada espectacle: Inicio (Uno), Al fondo riela (Lo otro del Uno), Vuelta a Uno
Compra aquí el teu pack

Malaga-born bailaora Rocío Molina presents an exploration of the guitar and its relationship with flamenco. A trilogy that travels to the origins of flamenco to rebuild it.

The triad begins with Inicio (Uno), which revolves around the exclusive guitar playing of the master Riqueni; it continues with Al fondo riela (Lo Otro del Uno), where Yerai Cortés and Eduardo Trassierra enter into an exploratory dialogue on the polyphonic possibilities of the instrument, incorporating the contrapuntal, harmonic and rhythmic resources that the duet permits; and culminates with Vuelta a Uno, with a body-to-body dialogue with the guitar of Yerai Cortés.

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We continue to export Catalan talent and discover new European voices with the second edition of European Emerging Playwriting and a new country in the spotlight: Portugal.

We will welcome two Portuguese plays, which will be translated and premiered in Catalan: Regras para um beijo (Regles per fer-se un petó) by Sara Barros Leitão and Viagem a Portugal – última paragem ou o que nós andámos para aqui chegar (Viatge a Portugal – última parada o el camí que hem fet per arribar aquí) by Joana Craveiro.

We submerge ourselves in the life of a wealthy family from Yorkshire, the Conways, during the interwar period. It is the year 1919 and Kay, one of the daughters, is celebrating her birthday. During this celebration, and through a peculiar use of time, Priestley shows us how the members of this well-off English family with great expectations in life will not achieve any of these aspirations.

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Four playwrights. 48 hours locked in the TNC. An eight-handed play. A song at the end of every scene.

This is the starting point of Literary Dances, a different event that puts a Catalan playwright in contact with an international playwright.

Mal de Coraçon is born out of the fascination with Saint Teresa of Ávila.

Why are the texts of a 16th century nun still so challenging?

This time we will not ask these questions alone; we will ask them with the playwright Victoria Szpunberg and her company Teatro en Vilo.

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Three characters living inside an abandoned botanical garden are waiting for us to tell us the story of Momo, a girl who has the wonderful quality of listening to others. Momo also wants to help people when the grey men decide to take hold of one of the most precious goods people possess: their time.

We live and bring up our children in haste. We want them to speak languages and be good in all things. But, do we bring them up so that they think freely or learn how to listen?

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We are in 16th century Flanders and we accompany Zenon, a doctor and alchemist, in the final years of his life. L’alquimista is an adaptation of the novel by Marguerite Yourcenar Opus Nigrum, which recreates a Europe halfway between the darkness of the Middle Ages and the light of the Renaissance. A world that we see as almost dystopian while exploring issues in an almost visionary way.

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Xiula is a musical motivation group made up of four musicians and educators, which has revolutionised children’s entertainment.

With committed lyrics and current rhythms such as hip hop, reggae, Catalan rumba and pop rock, its secret lies in composing songs that will make the whole family dance in the Gardens of the TNC.

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A powerful rereading of the classics based on the most groundbreaking Yourcenar.

“I hope this book is never read,” writes Marguerite Yourcenar at the start of the text.

Halfway between direct confession and neurosis, Fires reveals an inner crisis arising from Yourcenar's great failed love affair with her editor, André Fraigneau, and transforms it into one of the most beautiful and bravest books of her life.

Fires features a series of tales written in lyrical prose, almost poems, inspired by Greek mythology and a certain idea of love.

With a 35-year history behind them which has established them as one of the benchmarks of dance in our country, Pep Ramis and María Muñoz come together for a rare meeting on the stage with this duet.

Double Infinite is a piece made from fragility, simplicity and love for a craft that poses questions about identity, the individual or the body.

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