A 21st century look at the great classic of Catalan theatre.

Pablo Ley turns Àngel Guimerà’s classic play into a detective story and an extraordinary thriller about the class struggle.

Without losing sight of the origins or changing the essence of this universal text, Pablo Ley’s dramaturgy sets Terra baixa in the 20th century and introduces two new characters: a journalist and a police inspector, Vinagret, who will be responsible for investigating a crime in which a worker has murdered his employer. Manelic has killed Sebastià to free Marta (and himself).

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A powerful landowner tries to seduce Pamela, a fifteen-year-old maid. The girl rejects her predator master’s constant advances but, finally, he kidnaps and rapes her. Only her words will remain to express her outrage and despair. Words that will become a bold act, as questioning the master means questioning power. A personal take on Pamela, Samuel Richardson's controversial novel that explores the messy and often violent nature of desire.

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Emma Bovary lives a routine and unsatisfying life alongside her husband. Her boredom squeezes her as tight as her corsets and she will soon be looking for more attention, lovers and new stimuli to fill the existential void. Emma struggles to meet the expectations ‒ her own and others’ ‒ of a society that expects her to be perfect, but she continues to fight for her last wish, to feel complete. A story marked by love, desire, adultery and death.

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Pack Trilogia sobre la guitarra

3 espectacles per 60 € (30% de descompte)
Inclou una entrada per a cada espectacle: Inicio (Uno), Al fondo riela (Lo otro del Uno), Vuelta a Uno
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Malaga-born bailaora Rocío Molina presents an exploration of the guitar and its relationship with flamenco. A trilogy that travels to the origins of flamenco to rebuild it.

The triad begins with Inicio (Uno), which revolves around the exclusive guitar playing of the master Riqueni; it continues with Al fondo riela (Lo Otro del Uno), where Yerai Cortés and Eduardo Trassierra enter into an exploratory dialogue on the polyphonic possibilities of the instrument, incorporating the contrapuntal, harmonic and rhythmic resources that the duet permits; and culminates with Vuelta a Uno, with a body-to-body dialogue with the guitar of Yerai Cortés.

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Pack Trilogia sobre la guitarra

3 espectacles per 60 € (30% de descompte)
Inclou una entrada per a cada espectacle: Inicio (Uno), Al fondo riela (Lo otro del Uno), Vuelta a Uno
Compra aquí el teu pack

Malaga-born bailaora Rocío Molina presents an exploration of the guitar and its relationship with flamenco. A trilogy that travels to the origins of flamenco to rebuild it.

The triad begins with Inicio (Uno), which revolves around the exclusive guitar playing of the master Riqueni; it continues with Al fondo riela (Lo Otro del Uno), where Yerai Cortés and Eduardo Trassierra enter into an exploratory dialogue on the polyphonic possibilities of the instrument, incorporating the contrapuntal, harmonic and rhythmic resources that the duet permits; and culminates with Vuelta a Uno, with a body-to-body dialogue with the guitar of Yerai Cortés.

More information

Pack Trilogia sobre la guitarra

3 espectacles per 60 € (30% de descompte)
Inclou una entrada per a cada espectacle: Inicio (Uno), Al fondo riela (Lo otro del Uno), Vuelta a Uno
Compra aquí el teu pack

Malaga-born bailaora Rocío Molina presents an exploration of the guitar and its relationship with flamenco. A trilogy that travels to the origins of flamenco to rebuild it.

The triad begins with Inicio (Uno), which revolves around the exclusive guitar playing of the master Riqueni; it continues with Al fondo riela (Lo Otro del Uno), where Yerai Cortés and Eduardo Trassierra enter into an exploratory dialogue on the polyphonic possibilities of the instrument, incorporating the contrapuntal, harmonic and rhythmic resources that the duet permits; and culminates with Vuelta a Uno, with a body-to-body dialogue with the guitar of Yerai Cortés.

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We submerge ourselves in the life of a wealthy family from Yorkshire, the Conways, during the interwar period. It is the year 1919 and Kay, one of the daughters, is celebrating her birthday. During this celebration, and through a peculiar use of time, Priestley shows us how the members of this well-off English family with great expectations in life will not achieve any of these aspirations.

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We are in 16th century Flanders and we accompany Zenon, a doctor and alchemist, in the final years of his life. L’alquimista is an adaptation of the novel by Marguerite Yourcenar Opus Nigrum, which recreates a Europe halfway between the darkness of the Middle Ages and the light of the Renaissance. A world that we see as almost dystopian while exploring issues in an almost visionary way.

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A powerful rereading of the classics based on the most groundbreaking Yourcenar.

“I hope this book is never read,” writes Marguerite Yourcenar at the start of the text.

Halfway between direct confession and neurosis, Fires reveals an inner crisis arising from Yourcenar's great failed love affair with her editor, André Fraigneau, and transforms it into one of the most beautiful and bravest books of her life.

Fires features a series of tales written in lyrical prose, almost poems, inspired by Greek mythology and a certain idea of love.

With a 35-year history behind them which has established them as one of the benchmarks of dance in our country, Pep Ramis and María Muñoz come together for a rare meeting on the stage with this duet.

Double Infinite is a piece made from fragility, simplicity and love for a craft that poses questions about identity, the individual or the body.

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