Àngel Llàcer directs a classic that invites us to live life
We submerge ourselves in the life of a wealthy family from Yorkshire, the Conways, during the interwar period. It is the year 1919 and Kay, one of the daughters, is celebrating her birthday. During this celebration, and through a peculiar use of time, Priestley shows us how the members of this well-off English family with great expectations in life will not achieve any of these aspirations.
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Mystery, humor and mysticism
Mal de Coraçon is born out of the fascination with Saint Teresa of Ávila.
Why are the texts of a 16th century nun still so challenging?
This time we will not ask these questions alone; we will ask them with the playwright Victoria Szpunberg and her company Teatro en Vilo.
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We are in 16th century Flanders and we accompany Zenon, a doctor and alchemist, in the final years of his life. L’alquimista is an adaptation of the novel by Marguerite Yourcenar Opus Nigrum, which recreates a Europe halfway between the darkness of the Middle Ages and the light of the Renaissance. A world that we see as almost dystopian while exploring issues in an almost visionary way.
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A powerful rereading of the classics based on the most groundbreaking Yourcenar.
“I hope this book is never read,” writes Marguerite Yourcenar at the start of the text.
Halfway between direct confession and neurosis, Fires reveals an inner crisis arising from Yourcenar's great failed love affair with her editor, André Fraigneau, and transforms it into one of the most beautiful and bravest books of her life.
Fires features a series of tales written in lyrical prose, almost poems, inspired by Greek mythology and a certain idea of love.
With a 35-year history behind them which has established them as one of the benchmarks of dance in our country, Pep Ramis and María Muñoz come together for a rare meeting on the stage with this duet.
Double Infinite is a piece made from fragility, simplicity and love for a craft that poses questions about identity, the individual or the body.
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